1000 Record Covers (Bibliotheca Universalis)–multilingual (Multilingual, French and German Edition)

Description

Record covers are a sign of our life and times. Like the music on the discs, they address such issues as love, life, death, fashion, and rebellion. For music fans the covers are the expression of a period, of a particular time in their lives. Many are works of art and have become as famous as the music they stand for―Andy Warhol’s covers, for example, including the banana he designed for The Velvet Underground.

This edition of Record Covers presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs’s enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.

About the series

Bibliotheca Universalis ― Compact cultural companions celebrating the eclectic TASCHEN universe!


From the Publisher

RecoverRecover

Jacket Madness

Album art from the 1960s to the 90s

1000 Record Covers1000 Record Covers

“Vinyl revival? This book single-handedly champions the cause.”
— Inpress, Melbourne

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Vinyl’s back in style and in this selection of 1000 of the most iconic record sleeves from the 60s to 90s, we recall why it’s the biggest and best music format ever. Iconic artwork, memorable cover-sleeves, and long-lost classics all jostle for space in this virtual shelf of music history.

Nirvana

Nirvana

Dylan

Dylan

Young

Young

The Clash

The Clash

Nirvana, Nevermind Geffen, 1991

Design & Art Direction: Robert Fisher/Photo: Kirk Weddle

Bob Dylan, The Freewheelin’ Bob Dylan Columbia, 1963

Photo: Don Hunstein

Neil Young, Neil Young Reprise, 1968

Art Direction: Neil Young/Portrait: Roland Diehl

The Clash, London Calling Epic, 1979

Design: Ray Lowry/Photo: Pennie Smith

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TASCHEN is a carbon neutral publisher. Each year, we offset our annual carbon emissions with carbon credits at the Instituto Terra, a reforestation program in Minas Gerais, Brazil, founded by Lélia and Sebastião Salgado.

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